O ismi g\u00f6ren seyirci, g\u00fczel bir film izleyece\u011fini bilirdi. \u00c7\u00fcnk\u00fc Kadir \u0130nan\u0131r, sadece bir akt\u00f6r de\u011fildi; umuttu, cesaretti, haks\u0131zl\u0131\u011fa ba\u015fkald\u0131r\u0131yd\u0131. Mazlumun yan\u0131nda duran, zalimin kar\u015f\u0131s\u0131na dikilen adamd\u0131.<\/p>\n
S\u0130NEMA SALONUNDA B\u00dcY\u00dcYEN \u00c7OCU\u011eUN HATIRASI<\/strong><\/p>\n Ben bunu uzaktan izleyen biri de\u011fildim. Van’da, \u015eehir Sinemas\u0131’n\u0131n i\u00e7inde b\u00fcy\u00fcd\u00fcm. Gi\u015fede bilet satt\u0131m, kap\u0131da bilet kestim, b\u00fcfede gazoz ve \u00e7ekirdek satt\u0131m. Sonra makinist oldum. Hatta \u015eehir Sinemas\u0131’n\u0131n son makinistlerinden biri oldu\u011fumu s\u00f6yleyebilirim. Sineman\u0131n tozunu, kokusunu, heyecan\u0131n\u0131 ya\u015fayarak b\u00fcy\u00fcd\u00fcm.<\/p>\n O y\u0131llarda sinema, bug\u00fcnk\u00fc gibi sadece bir e\u011flence de\u011fildi. Halk\u0131n nefes ald\u0131\u011f\u0131, dertlerini iki saatli\u011fine unuttu\u011fu tek yerdi. Hafta i\u00e7i g\u00fcnd\u00fcz ve ak\u015fam seanslar\u0131, hafta sonu sabah matineleri, kad\u0131nlar matineleri\u2026 Salonlar t\u0131kl\u0131m t\u0131kl\u0131m dolard\u0131. Van’daki sinemalar aras\u0131nda da b\u00fcy\u00fck bir rekabet ya\u015fan\u0131rd\u0131. Hangi sinema Kadir \u0130nan\u0131r filmini g\u00f6sterime koyarsa, o hafta seyircinin ilgisini b\u00fcy\u00fck \u00f6l\u00e7\u00fcde \u00fczerine \u00e7ekerdi.<\/p>\n \u00c7\u00fcnk\u00fc Kadir \u0130nan\u0131r, d\u00f6nemin en g\u00fc\u00e7l\u00fc gi\u015fe oyuncular\u0131ndan biriydi. \u00c7ocuklar aras\u0131nda bile tatl\u0131 bir rekabet vard\u0131. Kimimiz Y\u0131lmaz G\u00fcney\u2019ci, kimimiz C\u00fcneyt Ark\u0131n\u2019c\u0131, kimimiz de Kadir \u0130nan\u0131r\u2019c\u0131yd\u0131k. Ama hangi filmi olursa olsun, Kadir \u0130nan\u0131r haks\u0131zl\u0131\u011fa kar\u015f\u0131 aya\u011fa kalkt\u0131\u011f\u0131nda salon alk\u0131\u015ftan y\u0131k\u0131l\u0131rd\u0131. \u00c7\u00fcnk\u00fc insanlar perdede sadece bir oyuncuyu de\u011fil, kendi \u00f6zlemlerini g\u00f6r\u00fcyordu.<\/p>\n Y\u0131llar ge\u00e7ti\u2026 Ben gazeteci oldum. Toplumun sorunlar\u0131n\u0131 yazmay\u0131, haks\u0131zl\u0131klar\u0131n \u00fczerine gitmeyi meslek edindim. Geriye d\u00f6n\u00fcp bakt\u0131\u011f\u0131mda \u015funu daha iyi anl\u0131yorum; Kadir \u0130nan\u0131r’\u0131n oynad\u0131\u011f\u0131 karakterlerle ger\u00e7ek hayattaki duru\u015fu aras\u0131nda neredeyse hi\u00e7bir fark yoktu. <\/strong>Bir\u00e7ok ki\u015fi perde \u00f6n\u00fcnde kahraman olur; perde kapand\u0131ktan sonra s\u0131radanla\u015f\u0131r. Kadir \u0130nan\u0131r \u00f6yle olmad\u0131.<\/strong><\/p>\n Ger\u00e7ek hayatta da bar\u0131\u015f\u0131 savundu, karde\u015fli\u011fi savundu, eme\u011fin yan\u0131nda durdu, ezilenlerin sesi olmaya \u00e7al\u0131\u015ft\u0131. Bu duru\u015funun bedelini \u00f6demeyi de g\u00f6ze ald\u0131. Pop\u00fcler olman\u0131n, herkes taraf\u0131ndan alk\u0131\u015flanman\u0131n pe\u015fine d\u00fc\u015fmedi; vicdan\u0131n\u0131n pe\u015finden y\u00fcr\u00fcd\u00fc.<\/p>\n Bir s\u00f6z\u00fcn\u00fc hi\u00e7 unutmuyorum; \u2018E\u011fer d\u00fcnyada, \u00f6zellikle de \u00fclkesinde \u00f6nemli sorunlar varsa ve bir sanat\u00e7\u0131 bunlara kar\u015f\u0131 duyarl\u0131 de\u011filse, ben ona sanat\u00e7\u0131 demem.\u2019<\/strong><\/p>\n Asl\u0131nda bu c\u00fcmle yaln\u0131zca sanat\u00e7\u0131lar i\u00e7in de\u011fil, gazeteciler i\u00e7in de bir pusulad\u0131r. Gazetecilik, sadece haber yazmak de\u011fildir. Sanat\u00e7\u0131l\u0131k da sadece kamera kar\u015f\u0131s\u0131na ge\u00e7mek de\u011fildir. \u0130kisi de gerekti\u011finde toplumun vicdan\u0131 olabilmeyi gerektirir.<\/p>\n Ben de gazetecilik ya\u015fam\u0131m boyunca buna inand\u0131m. Kamu yarar\u0131n\u0131 ki\u015fisel \u00e7\u0131karlardan \u00fcst\u00fcn tutmaya \u00e7al\u0131\u015ft\u0131m. Kadir \u0130nan\u0131r’\u0131n duru\u015funa duydu\u011fum sayg\u0131n\u0131n nedeni de tam olarak budur.<\/p>\n BARI\u015eI SAVUNMANIN BEDEL\u0130N\u0130 \u00d6DEYEN SANAT\u00c7I<\/strong><\/p>\n Kadir \u0130nan\u0131r’\u0131n Do\u011fu ve G\u00fcneydo\u011fu Anadolu ile ba\u011f\u0131 yaln\u0131zca \u00e7evirdi\u011fi filmlerden ibaret de\u011fildi. B\u00f6lgeyi tan\u0131yordu, insan\u0131n\u0131 dinliyordu, ac\u0131s\u0131n\u0131 hissediyordu.<\/p>\n 2013 y\u0131l\u0131nda bar\u0131\u015f s\u00fcrecinde Akil \u0130nsanlar Heyeti’nde yer ald\u0131. Defalarca b\u00f6lgeye geldi, insanlarla g\u00f6r\u00fc\u015ft\u00fc, raporlar haz\u0131rlad\u0131. Kolay olan\u0131 de\u011fil, zor olan\u0131 se\u00e7ti. \u00c7\u00fcnk\u00fc biliyordu ki y\u0131llard\u0131r s\u00fcren ac\u0131lar, sadece g\u00fcvenlik politikalar\u0131yla de\u011fil; birbirini anlamaya \u00e7al\u0131\u015fan insanlar\u0131n cesaretiyle sona erebilirdi.<\/p>\n Diyarbak\u0131r’da Bar\u0131\u015f Anneleri’nin boynuna beyaz t\u00fclbent takmas\u0131<\/strong> bo\u015funa de\u011fildi. O beyaz t\u00fclbent, bir sanat\u00e7\u0131ya verilen en anlaml\u0131 \u00f6d\u00fcllerden biriydi.<\/p>\n Y\u0131llar \u00f6nce Ahmet Kaya’n\u0131n lin\u00e7 edilmek istendi\u011fi o utan\u00e7 gecesinde de geri ad\u0131m atmad\u0131. Kalabal\u0131\u011f\u0131n de\u011fil, vicdan\u0131n\u0131n yan\u0131nda durdu.<\/p>\n Bir gazeteci olarak ben de kendisiyle ayak\u00fcst\u00fc sohbet etme f\u0131rsat\u0131 buldum. Gazetecilerin g\u00f6r\u00fc\u015flerini dikkatle dinleyen, samimi, s\u0131cak ve m\u00fctevaz\u0131 bir insand\u0131. \u00d6zellikle Do\u011fu ve G\u00fcneydo\u011fu’da g\u00f6rd\u00fc\u011f\u00fc sevgi tesad\u00fcf de\u011fildi; \u00e7\u00fcnk\u00fc o, bu co\u011frafyay\u0131 yaln\u0131zca filmlerine fon yapan bir oyuncu de\u011fil, derdini anlamaya \u00e7al\u0131\u015fan bir insand\u0131.<\/p>\n Bug\u00fcn d\u00f6n\u00fcp bakt\u0131\u011f\u0131m\u0131zda \u015funu \u00fcz\u00fclerek g\u00f6r\u00fcyoruz; Sanat d\u00fcnyas\u0131nda toplumsal meseleler kar\u015f\u0131s\u0131nda konu\u015fmak giderek zorla\u015f\u0131yor. \u0130nsanlar, hangi s\u00f6z\u00fcn kendilerine nas\u0131l bir bedel \u00f6detece\u011fini hesapl\u0131yor. Elbette herkesin ayn\u0131 d\u00fc\u015f\u00fcnmesi beklenemez. Ama sanat\u0131n en b\u00fcy\u00fck g\u00fcc\u00fc, korkunun de\u011fil vicdan\u0131n yan\u0131nda durabilmesidir.<\/p>\n Kadir \u0130nan\u0131r bunu yapt\u0131.<\/strong><\/p>\n Belki kariyerini riske att\u0131.<\/strong><\/p>\n Belki haks\u0131z ele\u015ftirilere u\u011frad\u0131.<\/strong><\/p>\n Ama inand\u0131\u011f\u0131 de\u011ferlerden vazge\u00e7medi.<\/strong><\/p>\n \u0130\u015fte ger\u00e7ek sanat\u00e7\u0131 budur.<\/strong><\/p>\n Toplumun alk\u0131\u015f\u0131n\u0131 ald\u0131\u011f\u0131 g\u00fcn de, ele\u015ftirildi\u011fi g\u00fcn de ayn\u0131 \u00e7izgide kalabilen insan\u2026 Bug\u00fcn milyonlarca insan onu yaln\u0131zca unutulmaz filmleriyle de\u011fil, omurgal\u0131 duru\u015fuyla da hat\u0131rl\u0131yorsa, bunun sebebi budur. \u00c7\u00fcnk\u00fc baz\u0131 insanlar yaln\u0131zca film \u00e7ekmez; ya\u015fad\u0131klar\u0131 \u00fclkenin vicdan\u0131na da iz b\u0131rak\u0131rlar.<\/p>\n Yaz\u0131y\u0131, y\u0131llar \u00f6nce verdi\u011fi bir r\u00f6portajda s\u00f6yledi\u011fi ve bug\u00fcn h\u00e2l\u00e2 y\u00fcreklere dokunan \u015fu s\u00f6zlerle bitirmek istiyorum; \u2018Bedenim gider\u2026 Ben \u00f6lmem ki. Bu \u00fclkenin en g\u00fczel filmlerine imza att\u0131m. Televizyonlar\u0131 a\u00e7t\u0131\u011f\u0131n\u0131zda beni yine g\u00f6receksiniz.\u2019<\/strong><\/p>\n Evet\u2026<\/p>\n \u0130yi insanlar, iyi sanat\u00e7\u0131lar ve vicdan\u0131yla ya\u015fayanlar ger\u00e7ekten \u00f6lmez. Onlar, bazen bir film karesinde, bazen bir replikte, bazen de bir toplumun ortak haf\u0131zas\u0131nda ya\u015famaya devam eder.<\/p>\n Sevgiyle kal\u0131n.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Projekt\u00f6r\u00fcn sesi y\u00fckselirdi\u2026 Perde a\u011f\u0131r a\u011f\u0131r a\u00e7\u0131l\u0131r, salonu derin bir sessizlik kaplard\u0131. Y\u00fczlerce g\u00f6z ayn\u0131 anda beyaz perdeye \u00e7evrilirdi. Jenerikte bir isim belirdi\u011finde ise salondaki heyecan daha da artard\u0131; Kadir \u0130nan\u0131r.<\/p>\n","protected":false},"author":3,"featured_media":114274,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-114273","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=\/wp\/v2\/posts\/114273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=114273"}],"version-history":[{"count":1,"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=\/wp\/v2\/posts\/114273\/revisions"}],"predecessor-version":[{"id":114275,"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=\/wp\/v2\/posts\/114273\/revisions\/114275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=\/wp\/v2\/media\/114274"}],"wp:attachment":[{"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=114273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=114273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mardinhaberyolu.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=114273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}